The Indian Analyst
 

South Indian Inscriptions

 

 

Contents

Index

Introduction

Contents

List of Plates

Additions and Corrections

Images

Contents

A. S. Altekar

P. Banerjee

Late Dr. N. K. Bhattasali

Late Dr. N. P. Chakravarti

B. CH. Chhabra

A. H. Dani

P. B. Desai

M. G. Dikshit

R. N. Gurav

S. L. Katare

V. V., Mirashi

K. V. Subrahmanya Aiyar

R. Subrahmanyam

T. N. Subramaniam and K. A. Nilakanta Sastri

M. Venkataramayya

Akshaya Keerty Vyas

D. C. Sircar

H. K. Narasimhaswami

Sant Lal Katare

Index

Appendix

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

EPIGRAPHIA INDICA

Slab XVI ; Canto XV

The fifteenth canto describes the king’s jala-yātrā, worship of the god Varuṇa, naming ceremony of the lake, etc. He went in a procession, headed by richly attired Brāhmaṇas and priests on elephants, followed by gaily dressed ladies carrying jars full of water, with a band playing in front. This jala-yātrā presented an unprecedented scene in the city. Afterwards, in a tastefully decorated pavilion, he got the water pitchers brought by the ladies arranged in rows and there conducted the worship of Varuṇa, adoring at the same time the nine Grahas and other presiding deities.

Then, in that great maṇḍapa, accompanied by priests and learned men, the king kept vigil, preparatory to the final ceremony on the following day. He got up early next morning, and once again worshipped Varuṇa in company with his relatives, including ladies. Then, as if with the intention of making the lake a second ocean, he threw in it various gems as also fish, tortoises and alligators. After that he worshipped a cow along with her calf and performed the gō-tāraṇa rite. Finally, the naming ceremony of the lake took place. The king asked the priest what name to give to the lake, and the priest in reply suggested two names, Rājasāgara and Rajasamudra. Both these names were accepted and given to the lake with due ceremonial five days after the above ceremony, When hōmas were performed and the king, followed by his retinue, circumambulated the lake, at the same time inspecting the newly erected structures.

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Slab XVII ; Canto XVI

The sixteenth canto opens with a verse stating that the Udayasagara lake was consecrated by Rāṇā Udayasiṁha on Vaiśākha sudi 3 in the year 1620 and then goes on elaborating the description of Rājasiṁha’s circumambulation of the lake. Rāvala Jasavaṁtasiṁha said to Rājasiṁha ; “ Udayasiṁha, while consecrating the Udayasāgara lake, circumambulated it, seated in a palanquin, accompanied by ladies. Now you may also do likewise, or, if you prefer, you may ride on a horse which may be given away in charity after the circumambulation ” Rājasiṁha listened to these two alternative proposals but kept quiet. In the midst of the priests, bards, ladies, and others standing by, the king then started circumambulation on foot even though there were horses, elephants and palanquins in attendance. They spread quilts on the ground so that the king should walk in comfort, but those he simply touched with his toe and got them removed. He even put off his shoes and walked bare-footed, to the great admiration of all. Thus he went walking bare-footed on the rough ground and as he walked, he made charities on the way in a lavish manner. According to the rite, he surrounded the lake with an unbroken thread, casting it as he walkedround it. In the midst of his queens, bedecked with glittering jewels, the king, clad in white, looked like the moon surrounded by stars. He was constantly being besprinkled (with water) by his queens. It rained at that time and it appeared as if even the god Indra was attracted to the scene. Seeing that his brother Arisiṁha and queen (Rāmarsadē), the Paramāra princess, who were unaccustomed to walking bare-footed felt and sore, he asked them to mount the palanquins.

At the end, all the flower-garlands which were presented to him during his circumambulation, he threw in the Rājasamudra lake as an offering to Varuṇa. The whole circumference of the lake was 14 kṛōśas, and the king circumambulated it in five stages, encamping (with his retinue) at every stage.

On the 13th day (of the bright half of Māgha) one of the elephants fell into the lake near the Kamalabūrj, but soon afterwards it came out. It looked as if the god Varuṇa presented the king with an elephant for his religious merit.

The six days taken by him in the circumambulation purified the king, as it were, of the six ūrmis and he was thus to enjoy perfect health in all the six seasons.

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