The Indian Analyst
 

South Indian Inscriptions

 

 

Contents

Index

Introduction

Contents

List of Plates

Additions and Corrections

Images

Contents

A. S. Altekar

P. Banerjee

Late Dr. N. K. Bhattasali

Late Dr. N. P. Chakravarti

B. CH. Chhabra

A. H. Dani

P. B. Desai

M. G. Dikshit

R. N. Gurav

S. L. Katare

V. V., Mirashi

K. V. Subrahmanya Aiyar

R. Subrahmanyam

T. N. Subramaniam and K. A. Nilakanta Sastri

M. Venkataramayya

Akshaya Keerty Vyas

D. C. Sircar

H. K. Narasimhaswami

Sant Lal Katare

Index

Appendix

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

EPIGRAPHIA INDICA

Svastika-nāga and Sumāgadhā, supposed, on the basis of a damaged inscription (of doubtful import) on the sculpture itself, to have been the sister of the Nāga brothers, Maṇi and Svastika.[1] In connection with the suggestion regarding the female snake-deity Sumāgadhā, it is interesting to note that the worship of the Nāginīs does not appear to have been popular in other parts of India in ancient times. Although Nāginīs figure in some of the epic and Puranic episodes, the Nāgas are always more prominent in ancient Indian literature. We have many lists in early works enumerating the names of numerous Nāgas[2] ; but there is hardly any list of the names of Nāginīs. Curiously enough, a Nāginī cult is known to have developed in Eastern India. Elsewhere[3] we have seen how the snake-goddess worshipped in various parts of Bengal and Bihar in the medieval period under such names as Bhaṭṭinī Maṭṭuvā contributed to the growth of the cult of Manasā whose worship is now popular in Eastern India. The continuity of Nāga worship at Rājgīr down to quite recent times is indicated by an inscription[4] of V.S. 1837 (1781 A.D.), recording the setting up of the foot-prints of Śālibhadra-nāga.

A. Takshaka Image Inscription in Lucknow Museum

The Nāga image inscription in the Lucknow Museum, referred to above, shows that the representation in question is of none other than the great Takshaka-nāga.

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One of the most famous of the Nāgas in ancient Indian literature is Takshaka.[5] He seems to be mentioned in the Atharva Vēda[6] and Sāṅkhāyana Gṛihya Sūtra[7] as Takshaka Vaiśālēya. The Kauśika Sūtra[8] and the Vishṇu Smṛiti[9] prescribe food offering for the protection of the house to various deities including Takshaka and Upatakshaka. Takshaka is the chief Nāga hero in the Mahābhārata stories about the Kuru kings, Parikshit and his son Janamējaya. He killed Parikshit and escape death with great difficulty in the wellknown serpent sacrifice of Janamējaya.[10] Takshaka also figures prominently in the episode of the burning of the Khāṇḍava forest (lying near Kurukshētras, i.e. in the modern Eastern Punjab), which was his abode.[11] This story of the Mahābhārata stated how the Fire-god consumed the forest with the help of the Kuru hero Arjuna and his friend, Yādava Kṛishṇa, during Takshaka’s absence in Kurukshētra and how Takshaka’s son Aśvasēna escaped from the burning forest with the greatest difficulty. There are several references in the Rāmāyaṇa[12] to Rāvaṇa’s victory over the Nāga king of Vāsuki and his conquest of the Nāga capital Bhōgavatī, in connection with which the king of Laṅkā is stated to have carried away Takshaka-nāga’s wife.

Considering the importance of Takshaka in the Indian serpent lore, his worship seems to have been widespread in ancient India. The prevalence of the Takshaka cult in Kashmir is referred to in the Mahābhārata[13] as well as in Kalhaṇa’s Rājataraṅgiṇī[14] and Bilhaṇa’s Vikramāṅkadēvacharita.[15] Unfortunately very little is known as regards the worship of Takshaka in other

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[1] JNSI, Vol. XII, p. 181.
[2] Cf. Mahābhārata, I, 35, 65 and 229 ; V, 102 ; Harivaṁśa, Harivaṁśaparvan, 3, 31 and 596 ; Malsya Purāṇa 6 ; Padma Purāṇa, Sṛishṭikhaṇḍa, 6, etc. ; Vogel, op. cit., pp. 190 ff.
[3] Above. Vol. XXVIII, pp. 138-39.
[4] Vogel, op. cit., p. 219.
[5] Ibid., pp. 203 ff.
[6] VIII, 10.
[7] IV, 18, 1.
[8] LXXIV, 8.
[9] LXVII, 5.
[10] Vogel, op. cit. Pp., 66 ff., 69 ff.
[11] Ibid., pp. 62, 77 ff.
[12] III, xxxii, 13-14 ; VI, vii, 3 and 7 ; VII, xxiii 4-5.
[13] III, lxxx, 970.
[14] I, 222.
[15] XVIII, 170.

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