The Indian Analyst
 

South Indian Inscriptions

 

 

Contents

Index

Introduction

Contents

List of Plates

Additions and Corrections

Images

Contents

A. S. Altekar

P. Banerjee

Late Dr. N. K. Bhattasali

Late Dr. N. P. Chakravarti

B. CH. Chhabra

A. H. Dani

P. B. Desai

M. G. Dikshit

R. N. Gurav

S. L. Katare

V. V., Mirashi

K. V. Subrahmanya Aiyar

R. Subrahmanyam

T. N. Subramaniam and K. A. Nilakanta Sastri

M. Venkataramayya

Akshaya Keerty Vyas

D. C. Sircar

H. K. Narasimhaswami

Sant Lal Katare

Index

Appendix

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

EPIGRAPHIA INDICA

that Samarasiṁha was followed by his soldiers numbering twelve thousand, captured the Gōrī king, but was unfortunately killed in the battle. Reference is made to a Bhāshā work, called here Rāsā (perhaps the same as Pṛithvīrāja-rāsō), in which, it is stated, the details of this battle are given. Samarasiṁha’s son was Rāvala Karṇa. With him ends the list of the twentysix Rāvalas.[1]

Rāvala Karṇa had two sons : Rāvala Māhapa and Rāhapa. The first is said to have ruled as a king at Ḍūṅgarapura (Dūngarpur in Rājputānā). The second, it is narrated, went to Maṁḍavara (Mandor in Jodhpur State and ancient capital of Mārwār) by order of his father and the prediction of a soothsayer. There he vanquished Mōkalasiṁha, and brought him as a captive to his father Karṇa. The latter deprived Mōkalasiṁha of his title of Rāṇā which he bestowed on his son Rāhapa who was later on better known as Rāṇā or Rānā (sic) ) only.[2] This Rāhapa, being blessed by Śaraśalya, a learned Brāhmaṇa of the Pallivāla (Pālivāl Brahmans of Rājputānā) family,[3] ruled at Chitrakūṭa. He also came to be known as Sīsōdiyā from the fact that he had formerly dwelt for some time at Sīsōdanagara. Rānā Rāhapa’s descendants bore the same viruda of Rānā.

The last two verses (35 and 36) give the genealogy of the poet, which is the same as found in the end of the slab II above. The record closes with the date of the consecration of the Rāja-samudra, namely Saṁ 1732, Māghī 15 (i.e., Māgha paurṇimā).

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Slab V ; Canto IV

The fourth canto opens with an invocation of the tamāla tree on the bank of the river Yamunā and then the genealogy is continued. His (Rāhapa’s) son was Rānā Narapati ;[4] then came from father to son, Jasa (Yaśaḥ) karṇa, Nāgapāla, Puṇyapāla,[5] Pṛithvīmalla, Bhuvanasiṁha, Bhīmasiṁha, Jayasiṁha and Lakshmāsiṁha who bore the title of Gaḍhamaṇḍalika apparently because he was the conqueror of the fort of Maṇḍalgaḍh, and whose younger brother was Ratnasī, the husband of Padminī, for whose sake Allāvadīna (Alā-ud-dīn Khaljī) besieged Chitrakūṭa, Lakshmasiṁha with his twelve brother and seven sons fought and died in this battle ; only one of his sons namely Ajēsī survived, who succeeded him to the throne. Lakshmasiṁha’s eldest son was Arasī[6] who died with his father and whose son Hamīra held the reins of the kingdom (after Ajēsī). Hamīra was well known for his liberality and as one who showed the holy river Ganges on his forehead. It was again he who built the black (stone) image of Ēkaliṅga (Śiva) with four faces,[7] accompanied by Śyāmā (Pārvatī), after the crystal figure of Śrī (Lakshmī) deposited in the lake of Indrasaras had been ascertained to be lost. Hamīra’s son was Kshētrasiṁha, his son Lākhā (Lakshmaṇasiṁha) and his son Mōkala.[8] This last named had a brother called Rāvata Bāgha who had no children. Mōkala got a tank, named Bāghēlā after his brother, constructed at Nāgahrada (with the wish that his brother Bāgha be blessed with a child). Mōkala also built a marble enclosure to the temple

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[1] This list closely follows the Khyāts with the exception of Puñjarāja whose name is omitted in the latter and Ratnasiṁha (I) who comes between Samarasiṁha and Karṇa. See Ojha, ibid., Vol. I, p. 92, n. 1.
[2] This is according to the Khyāts and not borne out by authentic history. See ibid., Vol. I, pp. 205 f.
[3] For details, see ibid., p. 206.
[4] The name of Dinakara found in the Khyāts and the Jagannātharāya temple inscriptions had been omitted after Narapati apparently through oversight.
[5] Pūrṇapāla according to the Khyāts and the Jagannātharāya temple inscription.
[6] From Arisiṁha downwards the genealogy is in keeping with that found in reliable records.
[7] Tradition, however, connects the installation of the Chaturmakhaliṅga with Mahārāṇā Rāyamalla one of whose inscriptions is found at Ēkaliṅgajī. In the Mokaljī temple inscription Hammīra is stated to have built a temple and a tank (see Bhavnagar Inscriptions, p. 67, v. 16). Ojha (ibid., p. 206) identifies this temple with the temple of Annapūrṇā at Chitor and the tank with the one in the vicinity of the temple. It was from the time of Hammīra that Udaipur came under the Sīsodās.
[8] These are also mentioned in other records such as the Kumbhalgarh and Śṛiṅgīṛishi inscriptions.

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