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South Indian Inscriptions

 
 

Contents

Index

Introduction

Contents

List of Plates

Additions and Corrections

Images

Authors

Contents

D. R. Bhat

P. B. Desai

Krishna Deva

G. S. Gai

B R. Gopal & Shrinivas Ritti

V. B. Kolte

D. G. Koparkar

K. G. Krishnan

H. K. Narasimhaswami & K. G. Krishana

K. A. Nilakanta Sastri & T. N. Subramaniam

Sadhu Ram

S. Sankaranarayanan

P. Seshadri Sastri

M. Somasekhara Sarma

D. C. Sircar

D. C. Sircar & K. G. Krishnan

D. C. Sircar & P. Seshadri Sastri

K. D. Swaminathan

N. Venkataramanayya & M. Somasekhara Sarma

Index

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

EPIGRAPHIA INDICA

52 jyē[1] || [30*] ssī(sī)mā [|*] pūrvvēṇa Vaikaṅka-stūpaḥ | pūrvva-dakshiṇēna śālmalī-vṛikshaḥ | dakshiṇēna tripatraka-vṛikshaḥ |
53 dakshiṇa-paśchimēna kadamva(mba)-vṛikshaḥ | paśchimēna kshētr-āli-stha-vētasa-vṛikshaḥ | paśchim-ōttarēṇa Niśi-
54 stūpa-sth-āsvattha-vṛikshaḥ | uttarēṇa jamvū(mbū) vṛikshaḥ | uttara-pūrvvēṇa suvarṇṇa- dāru-vṛikshaś=ch=ēti ||[2]||

_________________________________________________

[1] Omit either mayā or rājyē for the sake of the metre. If the words vidhinā bhṛiśaṁ are omitted, the metre the stanza would be Āryā.
[2] There is a floral design between the double daṇḍas to indicate the end of the writing.

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