The Indian Analyst
 

North Indian Inscriptions

 

 

Contents

Introduction

Contents

List of Plates

Additions And Corrections

Images

Miscellaneous Inscriptions

Texts And Translations

Inscriptions of The Kalachuris of Sarayupara

Inscriptions of The Kalachuris of Ratanpur

Inscriptions of The Kalachuris of Raipur

Additional Inscriptions

Appendix

Supplementary Inscriptions

Index

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

MISCELLANEOUS INSCRIPTIONS

PUJARIPALI STONE INSCRIPTION OF GOPALADEVA

(V. 9) The exceedingly powerful goddess Aindrī endowed with a thousand eyes, who has the thunderbolt in her hand and is seated on a lordly elephant, was well worshipped by Gōpāla.

(V. 10) Chāmuṇḍā, who is dark-complexioned like the petal of a blue lotus, rides a spirit and terrifies enemies in battle, [was praised] by Gōpāla.

(V. 11) (The goddess) Tvaritā, who is bright like lightning and is considered as similar in complexion to the indragōpaka insect and vermilion, was adored by Gōpāla.

(V. 12) The goddess Tripurā, who, (though) wholly void of parts, is proficient in three arts¹ and was formerly (worshipped) in a maṇḍala of three corners, dwells always in the heart of Gōpāla.

(V.12)² The three-faced terrible Mātīchā of bright form, (also called) Samayā,3 who exterminates the ranks of the enemies, was seated in the heart of Gōpāla.

(V. 13) The goddess Jayā, who destroys foes, (as well as) Vijayā who enhances victory (and) makes one's path happy, were always worshipped by Gōpāla.

(V. 14) May that Tārā, who has an excellent seat in the midst of the dreadful ocean, be pleased with Gōpāla, (affording him) excellent protection !

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(V. 15) . . . . . Vindhyavāsinī dwelling on the mountain, Mahāmāyā (and) Mahākālī were worshipped by Gōpāla.

(V. 16) The goddess, who is called Tōtalā when the Brāhmaṇas commit a fault (?), who attains victory in battle in the three worlds and who is called Charchikā⁴ when (other) creatures do wrong (?), was seen by Gōpāla.

(V. 17) The goddess Kāmākshī, (who is called) Mahālakshmī (and appears as) forgiveness and compassion, was pleased by the brave Gōpāla with (his) devotion.

(V. 18) (The goddess) Sarasvatī, (who is called) Gaurī (and)(who is) success, fame and unbaffled intelligence, was propitiated by Gōpāla day by day with his great devotion.

(V. 19) [The goddess] . . . . was pleased with the brave Gōpāla and granted a boon . . . . .

(V. 20) The goddess, being greatly pleased at every syllable (of Gōpāla's praise), said, “O great warrior, Gōpāla ! Thou art, no doubt, an excellent son !”

(V. 21) “ . . . . O Gōpāla ! (Thou art) like Śūdraka on the earth . . . . “

(V. 22) As Nandin is (dear) to Mahēśa, as Garuḍa is to Vishṇu, so (art thou), Gōpāla, a son of the goddess Vārāhī undoubtedly !

(V. 23) . . . . There is none like Gōpāla, (described) in Sanskrit or Prakrit (literature).

(V. 24) That which is (called) success in all affairs, that which is regarded by the wise as learning,-through the power of that . . . . Gōpāla . . . .

(V. 25) . . . . became always . . .

(V. 26) Having seen, that the buffalo-demon was killed (by the goddess) by planting (on him) the big toe of her foot, that brave Gōpāla praised (the goddess) Ambikā.

(V. 27) . . . . ________________

1 There is a play on the word kalā, which gives rise to the figure Virōdhābhāsa.
2 For the repetition of this verse-number, see above, p. 591, n. 1.
3 Samayā is a name of Dēvī. See Lalitāsahasranāma, v. 88.
4 The goddess has this name in the kavacha (v. 21) of the Saptaśatī. 38

 

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