The Indian Analyst
 

South Indian Inscriptions

 

 

Contents

Introduction

Preface

Contents

List of Plates

Abbreviations

Corrigenda

Images

Introduction

The Discovery of the Vakatakas

Vakataka Chronology

The Home of The Vakatakas

Early Rulers

The Main Branch

The Vatsagulma Branch

Administration

Religion

Society

Literature

Architecture, Sculpture and Painting

Texts And Translations  

Inscriptions of The Main Branch

Inscriptions of The Feudatories of The Main Branch

Inscriptions of The Vatsagulma Branch

Inscriptions of The Ministers And Feudatories of The Vatsagulma Branch

Index

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

SOCIETY

 

attended it had to extricate his necklace while had got entangled in his armelt1. Rich men wore golden wristlets (kanaka-valayas). In the Mēghadūta Kālidāsa describes how the forearm of the exiled Yaksha, who had become emaciated owing to separation from his beloved, appeared bare by the fall of a golden wristlet2. The fingers were adorned with rings. The confusion caused in the Śākuntala by the loss of the signet ring of Dushyanta is well known. Rich people wore a many-stringed pearl necklace after the manner of a yajñopavīta. The pictures of kings and princes assembled to hear the sermon of the Buddha or that of the flying Indra in Cave XVII3 give us a fairly clear idea of the jewellery worn by rich men in the Vākāṭaka age. That boys also wore similar ornaments will be clear from the picture of Rāhula, who goes forth to welcome the Buddha.

... Women too put on very varied and beautiful jewellery. In many of the frescoes at Ajaṇṭā women are shown with a head-ornament called lalāṭikā, one string of which followed the parting line of hair. Bāṇa has described ti as ‘a tilaka-maṇi kissing the sīmanta’. This lalāṭikā had, in some cases, a cluster of pearls or a round golden disc suspended on the forehead, which gave is the name chaṭulā-ṭilaka.4 Boys also wore this kind of ornament . See, for instance, the pictures of Yaśōdharā and Rāhula welcoming the Buddha in Ajaṇṭā Cave XVI5 . Some women wore a network of pearls in their hair, which Kālidāsa has mentioned in the Mēghadūta , v. 65. They also put on pearl-necklaces of one or more strings. In the Mēghadūta Kālidāsa mentions a pearl-necklace with a large saphire woven in the middle.6 Some women used to wear kaṇṭhikās (necklace) of rubies and emeralds, while others liked those made of gold coins (nishkas). Several Indian and Roman coins have been found in excavations, with a hole at the top, which shows that they were worn in such necklaces.

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... The ornaments worn by women of Vidarbha showed a much more refined taste.

... Men used a footwear which was tied with straps near the ankle.7 When they went to fight or hunt, they had a sword suspended from their belt and a dagger fixed in it. The accoutrement of horses such as the saddle, bridle etc. was just as at present,8 but the stirrups are nowhere noticed. Horses for riding were well decorated. The warrior’s quiver of arrows was fastened to the saddle. Foot-soldiers used to tie it on their back. Elephants were adorned with gold ornaments and pearl strings, with large discs suspended on their trunks, but their bodies are nowhere noticed painted as described by Kālidāsa in the Mēghadūta v. 19. Nor do we notice a howdah on the back of any elephant.
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1Raghuvaṁśa, CantoVI, v. 14.
2 Cf. कनकवलयभ्रंशरिक्‍तप्रकोष्‍ठ: । Mēghadūta v. 2.
3 Ajanta, Part III, Pl. LXVII.
4 Cf. सुवणंशुङ्‌ललावद्धो नानारत्नीषमण्डित:। ललाटलभ्व्यलंकारश्‍चटुलातिलको मत:॥ Com. on the Harshacharita, p. 32.
5 Ajanta, Part IV, Pl. XLI.
6 Mēghadūta, v. 48.
7 Ajanta, Part III, Pl. LXII.
8 Ibid., Part IV, Pl. LXVIII (b).

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