| |
North
Indian Inscriptions |
| |
|
|
|
ADDENDA ET CORRIGENDA
| Page |
54. |
– Insert before the last para : Each side contains eleven
lines of writing except the last one, which shows an additional
line of three aksharas. The engraving appears to have been
done by dots, which are throughout visible, instead of
continuous strokes. – In foot-note 4, read pūrti for purti. |
| ,, |
55, |
para. 2. – Read the last word as Jōgasvara (with J capital). |
| ,, |
56, |
last foot-note. – For 56, read 50. |
| ,, |
57, |
foot-note 1. –For Audrahadi, read Āüdrahādi |
| ,, |
58, |
Text-line after 11. – For 2, read 12 |
| ,, |
59, |
Text-line 15. – For श्रंबुं read श्रंवुं. – In foot-note 7, line 2,
for whih, read which.
|
| ,, |
60, |
foot-note 1, last line. – For –ni, read ni. |
| ,, |
61, |
in heading, forJayasimha, read Jayasiṁha |
| ,, |
62, |
last para., line 3. – For P.M.R., read P.M.P. |
| ,, |
64, |
Text-lines – For 39, read 29. |
| ,, |
67, |
para. 4, line 3. – For foot-note 1, read 8. |
| ,, |
68, |
para. 3, line 5. – For Rādha-, read Rāḍha-. |
| ,, |
72, |
.- Read the first line as ‘No. 23 ; PLATE XXIV’ ; and the
third line as ‘Vikrama Year 1 lxx’.
|
| ,, |
76, |
para. 3, line 1. –For Om, read Ōm.. |
| ,, |
79, |
, foot-note 3. –For Brigg’s read Briggs. |
| ,, |
80, |
foot-note 6, line 2. – For dintinct, read distinct. |
| ,, |
81, |
para. 1, line 3. – Read Gwālior here and also elsewhere. |
| ,, |
85, |
line 2. – Close the bracket after of. |
| ,, |
89, |
foot-note 2. – For B.M.P.A., read B.M.B.A. |
| ,, |
94, |
para. 3, line 5. –For Vaishṭha, read Vasishṭha. |
| ,, |
96, |
line 7. – Insert of after association. –Text-line 1. – Read
two daṇḍas after the number of verse. |
| ,, |
97, |
Text-line 13. – Read स[न्ध्या]घन-. |
| ,, |
98, |
foot-note 7, line 4. –For preservations, read preservation. |
| ,, |
99, |
para. 3, line 6. – Insert bright half of, before Āshāḍha |
| ,, |
102, |
para. 2, line 2. – For Broad, read broad.. |
| ,, |
103, |
para. 1, line 17. –Drop the. |
| ,, |
104, |
line 7. Insert probably, at the beginning. |
| ,, |
106, |
heading. – For MESEUM, read MUSEUM. |
| ,, |
107, |
ff., caption. – Insert Museum after NAGPUR. |
| ,, |
108, |
para 2, line 5. –For 38, read 30. |
| ,, |
109, |
, line 5. –For Muñjara, read Muñjaraja. |
| ,, |
110,. |
line 9. – For 1115, read 1123.- Para 2, line 3, for was,
read was probably.
|
| ,, |
111. |
–Insert as foot-notes : The guṇas mentioned in the first
half of verse 1 have each a double meaning. viz., qualities
and elements of poetry ; and in the Sāhitya-śāstra they are
known as technical terms, for which, reference is invited to
standard works, for example, Vāmana’s Kāvyālaṁkāra, N.S.
Press, 1953, pp. 29 ff. In verse 2, madhyama-pada of Vishṇu
(Vāmana) means the sky. The word occurs also below in
No. 139, verse 25. In verse 3, the word refers to technical
terms ; and in verse 4, the Paramāra ruling house is com-
pared with Śiva, by play of words.
Text-line 2. –For शुवित read शुक्ति; and in line 3, for
हारादिच read हारादि च. |
|
\D7
![]()
|
