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BOMBAY—contd.
DHARWAR DISTRICT—contd.
KALGHATGI TALUK—concld. Kalghaṭgi—concld.

Stone standing in the field called Khānāpuradavara-hola.

Śaka [150]2, [Vi]-karma, Vaiśākha śu. 11 = 1580 A. D., April 25. 

Kannaḍa

Damaged and worn out. Seems to record a sarvamānya gift of land to a Brāhmaṇa of the Gautama gōtra and Ṛik śākhā.In characters of about the 16th century.

Slab found in the field of Jaina Upādhya

States that the field is a sarvamānyavṛitti of Kamaḷadē[va*]- bhaṭṭa, son of Padmanābha-bhaṭṭa, the Upādhya of Beḷugāve, who belonged to the Bhāradvāja gōtra, Āśvalāyana śūtra and Ṛik śākhā. In characters of about the 16th century.

Slab in a field called Basayyanavarahola.

Śaka 1451, Pārthiva, Māgha śu. 1, Makara-saṁkrānti. Irregular.

Do.

Damaged and worn out. Seems to record a gift of wet land at Kallakutage to Arasave, daughter of Sthānapati Saṁjapaṁṇa of the Kauśika-Viśvāmitra gōtra and Ṛik śākhā by Rāyasada Lakhayya under the instructions of Ellapa Voḍeya.

Maḍaki Honnaḷḷi.—Slab lying in the compound of the Kalamēśvara temple.

Śaka 101[8], Dhātu

Do.

Broken and worn out. Registers a gift of land, house, oil-mill, etc., for the deity Grāmēśvara, made into the hands of Rudra śakti-paṇḍita by Ādityayya, a subordinate of the king who was governing Koṁkaṇa-900 and Halasigi-12000 from his capital Chaṁdrāpura. Records another gift to the deity Ugurēśvara by the Uguru-300 and others.

Stone in a field near the village

..

Do.

Damaged. Seems to state that the wet-field was a gift made by Hiriya-gauḍa of Hōmada Hoṁnehaḷḷi under instructions from Basavaṁtapayya. In characters of about the 17th century.

Ablūr.—Parapet wall to the right of’ entrance into the sabhāmaṇḍapa of the Sōmēśvara temple.

….

..

Do.

Below three groups of sculptures. States that the sculptures, depict the scenes of (i) Jēḍara Dāsimayya offerings cloth to use god ; (ii) Siriyāḷi-śetti and Chēṁgaḷavve offering their son to the god ; (ii) god Siva as having come down and danced before the Kuṁbāra (i.e. potter) Guṁḍa. Published in Ep. Ind., Vol. XXIX, pp. 139 ff.

Parapet wall to the right of  entrance into the sabhāmaṇḍapa of the same temple.

..

Do.

Above a panel of sculptures. States that the sculptures represent the exploits of Ēkāntada Rāmayya against the followers of the Jina (Ep. Ind., Vol. V, pp. 260 ff.).

Right side of entrance into the inner shrine of the same temple.

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Above a panel of sculptures. States that the sculptures depict the scene of Ēkāntada Rāmayya breaking the Jina and setting up the Śiva-liṅga. Published in Ep. Ind., Vol. XXIX, pp. 139 ff.

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